I have two pieces of news. Not only has photographer, editor and all round unique genius, Myriam Cawston launched Artistika Magazine, in order to bring readers explorations into skilled, sincere and beautiful art, but I have an article in it where I discuss Kazuma Obara’s project Exposure, which won the World Press Photo ‘People’ category in 2015. Excerpt below and find the whole article in the magazine; “Chance and Craft: Photographing Chernobyl’s legacy”.
Perhaps the most interesting photography is that photography which struggles at the edge of what is possible in the medium. Aritstika‘s interest in interdisciplinary forms and moments also brings us to that border between one medium and another, or where one medium fades off into something a little indefinable.
These borders must be explained. It is easy to stand on the sidelines of a discipline, calling out, usually in opaque styles, the weaknesses of the core discipline. We may not want to say that ‘clever’ works are poorer for their cleverness, but what we can say is that they command a more narrow audience: those who are in on the joke, in on the discipline, usually in an academic sense.
It is harder to play in the borders of a medium in a way that is sincere and communicative. It is this type of endeavour that leads me to Kazuma Obara’s project Exposure, something of a documentary piece, which draws on fine art and a sense of the artefact to respond to the legacy of the Chernobyl disaster of 1986.
As Obara told World Press Photo, upon receiving first prize in their People category in 2015, his aim with Exposure was to “help people imagine the invisible problems” that the nuclear explosion has left in its wake… Read the full article in Artistika